Less than a year after signing legislation that will pull nearly 12 million Americans off health insurance by gutting Medicaid, Donald Trump posted an AI-generated image of himself to Truth Social on Sunday depicting him as a Christ-like figure, with divine light emanating from his hands as he heals a stricken man in a hospital bed with a demon from hell floating in the background.

The president has since deleted the post, which also followed a lengthy tirade about Pope Leo XIV on the site the same day in which he called him “weak on crime” and blamed the head of the Catholic church for being influenced by Barack Obama strategist David Axelrod. Trump faced the wrath of some of his most high-profile and loyal Christian supporters, many of whom have stood by the president through multiple other indiscretions and were unable to contain their righteous fury.

So, J.D. Vance’s U.S. tax-payer paid trip to Budapest last week did about as much to convince Hungarians to vote to reelect corrupt autocrat Orbán as his U.S. tax-payer paid trip to Greenland did to convince that country’s citizens to welcome Trump’s proposed take-over of Kalaallit Nunaat. Way to go, Grasshopper.
V.M.

Donald Trump and US secretary of state Marco Rubio attended a UFC event in Miami night on Saturday night as peace talks with Iran failed on the other side of the world.

Trump entered the Kaseya Center shortly after 9pm alongside several members of his family and UFC chief Dana White, who has been a supporter of the president since his first term. Seated nearby was Rubio as well as the US ambassador to India, Sergio Gor, the rapper Vanilla Ice and former FBI deputy director Dan Bongino.

In 1991, Jim Jarmusch was casting for his anthology film Night on Earth. The premise was simple: five taxi drivers in five cities pick up passengers, set to a soundtrack by Tom Waits. The writer-director wanted Gena Rowlands to play a passenger, but she took some persuading. “Night on Earth was the first film she’d made since losing John [the director John Cassavetes, her husband] and she wasn’t sure. Eventually she said: ‘OK, I’ll be in this film for you.’” Jarmusch does a perfect impression of Rowlands, as he does with everyone he quotes – it’s quite a talent.

At some point—and I can’t quite say when—it has become harder, at least from this side of the Atlantic, to separate our image of Donald Trump from the United States itself. The two have begun to blur in ways that feel new, and, frankly, unsettling.

Until recently, I tried to be careful about this. I love my American friends. And it’s worth saying very plainly that millions of Americans continue to oppose these policies, often loudly and at great personal cost. Any criticism here is directed at decisions made in power, not at the people who live with their consequences.